![]() ![]() This way, when the vocal is not the focus of the mix, the synth has all the frequency information important to it, but while the vocal is the focus of the mix, the synth will get out of the way of the voice in a subtle manner that’s not apparent to the listener. Set up Trash 2 so that when the vocal crosses a set threshold, an EQ cut around 600Hz will trigger on the synth. Spire may be based on the Portastudio paradigm but it offers way more sophistication. Spire Pro also has a random Inspire Me feature that adds iZotope effects to any track including reverbs, flangers, chorus and distortions from iZotope Trash. In this example, the female vocal and a distorted mono synth both have a lot of energy around 600Hz. The iOS Spire Pro app (but not yet Android) may also be used as a standalone recorder for your phone. With Trash 2, a far more transparent and time effective option is available-sidechain frequency ducking. We could sidechain compress one off the other, but then information in other sections of the frequency spectrum will also be affected which may create audible “pumping.” What if the sounds in the mix are similar? Since their most important frequency content is in the same range, EQing can lead to serious sacrifices without EQ automation to cut frequencies only when the sounds are fighting. Sidechain compress them so that when one sound comes in, the other pulls back.Pan them to give them different sections of the stereo image to own.Equalize (EQ) the sounds differently to give them each different sections of the frequency spectrum to own. ![]() There are many ways to deal with this issue: If two sounds seem very important to the song, but are fighting for attention, each needs to be given its own space. When mixing, decisions are constantly being made about how to highlight certain instruments in different sections of the song. ![]()
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